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The Truth About Gladys Bentley's Miraculous "Return" to Womanhood (Audio Version)
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The Truth About Gladys Bentley's Miraculous "Return" to Womanhood (Audio Version)

How Doctors Cured a Black Artist of Homosexuality in the 1950s.
Left: Black and white image of a heavyset black woman, wearning a white-colored masculine suit with a top hat and holding a fashionable cane. The photo is autographed by Gladys Bentley, and the left side of the photo reads, “America’s Greatest Piana Artist”. Right: Ebony Magazine article from August 1952 with a headline, “I Am A Woman Again”: Fabulous entertainer tells how she found happiness i love after medical treatment to correct her strange affliction. Gladys Bentley is pictured wearing feminine clothing while sitting down with two different male performers.
Photo Credits: The Smithsonian Museum; Ebony Magazine

Hi Everyone,

This is the full podcast version of my recent essay, The Truth About Gladys Bentley’s Miraculous Return to Womanhood. I am delighted to bring this article to life with clips of Gladys’s original music, alongside a voiceover of the article.

Songs in order of appearance:

  • Red Beans & Rice Blues

  • Boogie n’ My Woogie

  • Worried Blues

This page does not include any of the photos or newspaper clippings I included in the written version. So, if you’d like to read along and check out the archival materials, I suggest you keep the original article open while you listen.

I hope you enjoy! Would love to hear your thoughts. 🌺

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